Sunday, July 26, 2026

Can Love Be Counted?

 

By Kenneth A. Tokuno © 2026 

 Dedicated to Joseph-Louis Lagrange 

         His name was Silver and he was too handsome for his own good. Whenever he slipped into a restaurant or, when he was in college, entering into a new class on the first day, he would draw wistful glances from all the young ladies. He did not look like a nerd, walk like a nerd or dress like a nerd, but he was a nerd. If he wasn’t a genius, there needs to be a new definition of genius. At the University of Hawai`i, he majored in Mathematics and spent just about every day shuffling between Keller Hall, Hamilton Library and in his room with his parents working on his MacBook Pro. He didn’t just do homework, he lived it. He graduated summa cum laude with the class of 2006 at the age of 20. Two months later, he was on a plane to San Francisco to work on his PhD in Mathematics at the University of California in Berkeley. When he completed his dissertation, he applied and got a tenure track position at his old university and had an office in his old hangout, Keller Hall. 
         Given the cost of living in Hawai`i and the relatively poor pay that University of Hawai`i Math paid its professors, Silver was forced to live again with his parents temporarily at least. In addition to saving money, he would be able to focus more on his research, the questions of topological mixing within Chaos Theory. He didn’t need to worry about cooking, cleaning or even taking care of a car as he took the bus to work from Makiki. It was also true that his parents were still relatively young and healthy so he had no worries about them. His need to focus was also helped in that he had no siblings to contend with because both of his sisters had married and gone to the mainland, Evelyn with her environmental attorney husband and Therese with her Obstetrics fiancé.
         Although he was not fond of teaching, it was required of his position. Unlike many of his colleagues, his research was not amenable to most grant foundations, so he could not buy his time and had to teach a full load of three courses per semester. He was able to teach two graduate course which he found not too bad, but he never looked forward to teaching the undergraduate course, Math 415, which was small and had mostly math majors, 90% of them men. He would have preferred to teach Applied Topology, but that was the domain of a tenured faculty member.
         A problem arose soon after he set foot on campus. A lot of the females began to try to talk to him, ask him his name and if he was single. A few who followed him to his office were surprised that he was a math professor. No one so young and so handsome could be a math professor, but right there on his door it said, “Sylvester Uyehara, Assistant Professor.” He got the name “Silver” because his younger sister, Evelyn, couldn’t pronounce “Sylvester.” There was nothing about his appearance or personality that shined like silver, but the girl’s network on campus picked up his name from the internet and his reputation broadened as his image was shared on all the various social media platforms.
         Of course, none of the coeds knew what Silver was like aside from his looks, because he never spoke to any of them. The only time he even looked at any of them was to dodge a star struck sophomore. As far as he was concerned they were a swarm of pests. The few female math majors who took classes from him reported that he was a terrible lecturer who seemed to be bored all the time. His lack of interest in any woman soon had most of the students thinking he was gay. The rest realized he was simply a nerd, a handsome nerd. For his part, he hardly cared what the undergrads thought of him, whether they be male or female. He was totally focused on his research on topological mixing, as opposed to socially mixing. He did spend some leisure time with the graduate students, all of whom were men. Leisure time in this case being the occasional lunch at Paradise Palms when he didn’t take lunch in his office so he could focus on his work.
         His colleagues, all but two of them men, thought he was dedicated but strange. They figured he had a bright future, even wondered when a university like MIT or Stanford would recruit him. The two female faculty were older and married, but intrigued by Silver. They thought he might be a good match for a friend or relative’s daughter. He saw them as merely colleagues and they were perspicacious enough to see that he was not likely to be coaxed to meet any of their unstated prospects. In his first two years, he had no real friends in the department and he didn’t care.
         Silver’s mother, Denise Uyehara, had always been anxious about her son’s social isolation since back when he was still in high school. He never dated and had no female friends. His only friends were the non-female students in the math club, The Pi Eaters. All of them were nerds, including the girls. It wasn’t that Silver was shy or afraid of the girls. He was just indifferent to them. Whenever his mother brought up the subject of dating—which was at least once a week—he developed a temporary hearing problem. His father, George, was also concerned but did not pile on with his wife. He did once try to explain the “birds and the bees” to his son, who listened respectfully, but mentally shrugged as if to say, “I have no use for this information.” Indeed, through college right through his doctoral years, he did have no use for it.
         Denise pondered over her only son. Here he was almost thirty and showing no interest in dating let alone getting married. She was not one to give up and thus came the idea that she would invite her friends unattached daughters to dinner. It was a blatant attempt that Silver saw through but didn’t think it worth the trouble to oppose. In most things he was an obedient son. George told Denise that the dinner idea was a waste of time.
         When the various ladies came by for dinner, skinny ones, plump ones, Japanese ones, Chinese Hawaiian ones, Filipina ones, pretty ones and plain ones. Some were attached, but tenuously. Most were single and looking. All of them were under 30. They were usually impressed on first meeting Sylvester, whose name his mother felt appropriate for these meetings. As in “This is Sylvester” as opposed to “This is Silver.” He was tall, a little over six feet, with broad shoulders, the strong chin he got from his father and the soft eyes he got from his mother. Plus he was smart, a professor even. It was not long, however, that most of them got rather disappointed with his personality, or rather his lack of personality. Their attempts to pull him into conversation where met with monosyllabic replies or grunts.
         Silver’s mother was not one to quit until she had won. After about a score of these dinners, she berated him as she had never done before. She insisted that he at least talk to one of his “dates.” The next lady Gayla Ching. In her desperation, Denise had reached out to a former classmate who had been a member of her group in high school, but had not seen in five years. That was when she had met Gayla, who was then just finishing college at UH. By the fates, she had just broken up with her only boyfriend ever and was in no mood to date seriously. She had heard, however, about Silver and all his tarnish but was not opposed to meeting him personally.
         Gayla was an enchanting little thing, standing only 4’11” and weighing not much more than a feather. Her father was a Chinese Hawaiian and her mother a strikingly pretty Japanese who had been a Cherry Blossom contestant. Gayla had not inherited her mother’s good looks, but she was attractive and had a pleasant personality and her father’s stubbornness and persistence. Between that and his decision to talk, Silver engaged her in conversation. Having had no practice in small talk, he was tactless. 
         “So, how did you do in your math classes?” asked Silver.
         “You mean algebra?” said Gayla.
         “Algebra? They don’t teach algebra in college.”
         “Oh, I didn’t take any math at UH.”
         “But it’s a requirement.” “I took something else, a philosophy class.”
         “You mean Logical Reasoning?”
         “Something like that.”
         “And how did you do?"
         “I got a C.”
         “A C in something so basic?”
         Gayla knew that Silver was a math professor, so she wasn’t as much taken aback by this exchange as she would have been from almost anyone else. Thus, she simply gave him her most radiant smile and turned to her hostess as the shoyu was passed around. Denise gave a smile laced with chagrin and Gayla understood the signal for she had been briefed by Ms. Uyehara the day she was invited. She was, after all, only there because her mother asked her. She was not there to get into any commitment. Still, she could not help but be physically attracted to a man who was not only gorgeous but very smart.
         As for Silver, he was experiencing something he had not experienced with any woman before. He kind of liked her. There was something in her diminutive stature and confident but not annoying peppiness that was appealing to him. There was this problem of her total lack of interest or ability in math, but shoots, he wasn’t going to see her again. So, he actually did something he had never done before, he smiled at her.
         “Well, at least you passed,” he said as cheerfully as he could.
         “You know, you have a beautiful smile,” she said. Denise beamed.
         “Um, thanks, so do you.”
         “So what’s it like being a professor?”
         “What do you mean? I like it. ”
         “I mean you teach , but what else do you do and how do you like teaching?”
         “I do math research most of the time. The teaching part is just okay.”
         This small talk went on the rest of dinner. Since this was by far the most her son had spoken to any of her guests before, Denise was delighted. Even better, Gayla stayed for dessert and coffee. She was only the third to get this far. Silver seemed to be…content. He hadn’t squirmed or frowned all evening. As it got later and later, neither Silver nor Gayla showed any interest in having it end. It ended only when Gayla saw the time and said she had to work in the morning. It was 11:15.
         The next day was a Saturday and rather than going to his office as he almost always did, Silver hung around the house talking to both his parents about Gayla. Denise was amazed because it was as if her son had been spellbound, bedazzled. She was glad, mystified and worried all at the same time. What had been the key? Of all the women she had invited to dinner, Gayla was far from the loveliest, the smartest or the most successful. Then again, she reminded herself that none of these things had ever mattered to her son. George was at least a bit puzzled, but not at all upset, knowing how many times he himself had been starstruck by a young lady in his youth. It was long overdue as far as he was concerned. He had to admit; his wife might have been on the mark about these dinners. He thought about talking to Silver about the facts of life again because he wasn’t sure their earlier talk had penetrated though all the numbers in his head. Instead, he asked Silver what was going through his mind.
         “Well son, I see that you were kind of impressed by last night’s guest,” said George.
         “She’s like the solution to a complex linear algebra problem,” said Silver, his eyes gleaming with what looked like tears.
         “So are you going to see her again?”
         “What? See her again? How do I do that?”
         “You get her folks’ phone number from Mom and call her up.”
         “What do I say to her? What will she say to me? I can’t do this!”
         “Guess you’ll never see her again. Do you even want to see her?”
         “Yes, can you call her for me?”
         “Son, if I do that, she’ll think you’re some kind of loser and you’ll be done before you even get started. Look, just call her up, tell her you had a nice time and would like to see her again. If she liked you, you’ll know by her answer to that proposition.”
         “I think I can do that. Thanks, Dad.”
         Most young men when calling a female to ask about a date are very nervous. Not Silver. He had not only given hundreds of lectures but had presented at the national conference of the American Math-ematical Society. Plus he was no young man. He might not have been nervous but he was a bit apprehensive over something he had never done before. His phone voice was good and he spoke with a lot of confidence when he asked Gayla if he could see her again. She had liked him anyway and was hoping he would call, so she not only agreed to see him but suggested the coming Saturday evening.
         Silver had no idea what they would, could or should do together, so he simply asked her what she wanted to do. She liked that he was so straightforward because she knew all about his lack of experience and thought he would act with a lot of uncertainty. She told him she wanted a simple dinner and a movie. She knew he probably had no idea where to go so she suggested The Old Spaghetti Factory and the latest Star Wars film. Then he asked her if she would drive, as he didn’t know how. That part surprised her.
         When Gayla picked him up, he was not wearing anything special and she smiled to himself. He was so unpretentious. As he got in the car, he told her that he had never eaten in any factory before and had never been to a theater to see a film. She was mildly amused by this not unexpected revelation but had to spend much of the dinner summarizing the whole scope of the Star Wars franchise, which she barely knew herself and that only because of her father’s DVDs. When the check came, he reached for his wallet and asked how much his share was. She was not amused but paid her share. When they got to the theater, she waited to see if he would pay for both tickets then told him to pay just in time for them to see the previews. As it happened, he fell in love with the film. It had a lot of topology in it.
         It was the first of many dates over the next year. Silver had never realized a woman could be so scintillating. She was giving him something of a cultural education, but without making him feel like the nerd he was. He thought she more fun than solving a vector matrix problem. He found that he liked the sound of her laugh, even when he didn’t understand how what he was saying was funny to her. He was never offended, thinking that she was laughing at him. What induced her laughter was more in the way he used words associated with mathematics, words she rarely understood. Whereas many people would call him pedantic or arrogant, she thought it endearing. She called him her Professor Fun, based on a local comedian she remembered from her childhood. How can a young mathematician not be crazy in love with a woman like that?
         Fundamentally, Silver had not changed. He still lectured as if he was reading from a text. He still failed to notice any of the pretty coeds flirting with him. He still was absorbed in math 60 hours a week. That last part had changed from his previous 80 hours a week. He spent the difference with Gayla, not doing anything on the weekends and he called her from his office every weekday. He started to call her his “Little Polynomial” and she never understood why. It soon reduced to “Little Polly” which still made no sense to her, but sounded better. She simply called him her “Silver Star” which soon reduced to just “Silver” which made more sense to him.
         On the weekends Gayla continued her mission to broaden her beau’s horizons. He had never been on a boat, so she took him on a catamaran cruise off of Kihei Lagoon. He was disgustingly ignorant of Hawaiian culture, so she took him to Bishop Museum and the Polynesian Cultural Center. Since he had been to no movies before they met, they went to Ward Village to see some Marvel and Pixel films. He grew to like animated films and superheroes. And he had never experienced fine dining so she took him to Chez Michels and Alan Wong’s restaurants. Sex, however, was not part of the relationship, partly due to Silver’s lack of experience and interest in it and partly because Gayla wanted to wait. She was a rare woman for the 21st century: a virgin.
         Exactly one year after that first dinner at the Uyehara’s, Silver asked Gayla to marry him. His parents were amazed at how well everything had worked out. Silver himself did not see why they were in such wonder. He was still the same guy, absorbed with math and now absorbed with Gayla. He did not want a big wedding and convinced his wife to be that they should save their money to buy a house. Since they both had been working full time (she as a coffee house manager) for three years and living with their parents, they had saved a considerable amount already. 
         The wedding was held on April 9, 2016. It was performed in the Ching’s back yard at Myra Ching’s insistence and thus it had a Japanese theme, complete with 1001 origami cranes. The only guests were Gayla’s older sister and her family, both sets of parents and a maid of honor. The Uyeharas did not even get a chance to invite their daughters. Silver did not want or need a best man. It was over in half an hour. For their honeymoon, they drove to Turtle Bay and stayed for two nights and three days. Then they moved into a rented condo across from Punahou School and within walking distance of the University.
         They wanted to have children, but only after a few years to settle into their marriage, buy a home. Silver also need to get tenured, which he did by the fall of 2017. With the increased salary he now had along with a nice raise from Gayla’s boss they started to have a more comfortable life. They could still save for a future home and go out to eat or to see a show more often. Silver bought Gayla the ring she had wanted when they got engaged but couldn’t afford. Without the threats of debt and getting tenure, he could relax more and he took their love life to a different level. It wasn’t just the physical aspect of love, but each day he saw the qualities in her that he lacked in himself and wondered why she had even fallen in love with him. He needed to try to be a better person for her, loosen up a bit. Not so easy to do once a person is past 30.
         “Gayla, why do you love me so much?” asked Silver.
         “Because you look like a Japanese movie star. Maybe for a samurai film,” said Gayla with a mischievous smile.
         “Really?” “No silly Silver, not really. I love you because you’re so calm and steady. Nothing bothers you. Plus you never look at any other women or even think about them as far as I know. Why do you love me?”
         “Uhhh, I need to think about it.”
         “Wrong answer. Try again.”
         “I can’t explain it, dear. You have something that just makes me feel good. I never cared about looks, but I like yours. I never cared about romance, but I love loving you. I never was able to use words very well, so please let this work.”
         “It works. I love you.”
         The two families became close. When Evelyn and Therese brought their families home for Christmas, they would all get together. Gayla was an only child and she doted on her nieces and nephews while Silver spent most of the holidays doing his math research. It didn’t take long for the children to get closer to their Aunt Gayla in comparison to their Uncle Silver, whom they rarely saw smile and never played with them. They kept inviting the newlyweds to come to see them in Las Vegas or San Diego and they promised to do so someday. In the meantime Silver and Gayla needed to build a foundation for their lives.
         By the end of 2018, they started to look for a house to buy and were only a bit disappointed to find that they could only afford a two bedroom condo in Kakaako. Then they hunted for furniture, something Silver had very little to do with, while Gayla was delighted that she had free rein of her choice of dining room chairs and a nice Koa table, a queen sized futon bed, three rattan occasional chairs, a small blue couch and a few nice lamps. She asked Silver if he wanted to buy a desk for his office and he said that he would make do with the couch, because they would need to use the second bedroom for a nursery.
         Early in 2019, they moved in and settled into a life of bliss as they tried to have children. As with many would be parents, they thought they would become pregnant in a short time, but after six months, nothing had happened. They didn’t talk to each other about it but went through their lives as before. The romance was still very strong. As they walked around the Salt neighborhood, people would stare at them for they made an odd couple. Not only was he over a foot taller than she was, but he was strikingly handsome and she, though not unattractive, was rather humble looking. Her nose was a bit large and she had dry hair that always looked like it had birds nesting in it. None of this mattered to Silver, who had never been preoccupied with how women looked and saw her as the perfect woman.
         As 2020 emerged, they still saw no sign of a baby, but they did see the threat of the COVID-19 virus attacking Hawai`i. They took all of the recommended precautions from wearing masks to shopping remotely. Silver was able to teach his classes online which he found he actually preferred. They stopped eating indoors at restaurants and stocked up on COVID testing kits. Then on Thursday May 7, just as the semester was winding down, Silver developed a bad cough and tested positive for the deadly virus. Gayla was so frightened for her husband that she failed to take precautions in nursing him and although he got better, she caught COVID-19 herself.
         At least Silver was back to full strength when Gayla got really sick. He had learned from her what he needed to do to keep her comfortable and get her back on her feet. He ordered Tylenol and cough drops from Longs in a large quantity and lots of guava, orange and grape juice from Safeway, making sure she drank no less than eight cups of that per day. He cooked all the meals, did the dishes and the laundry over her protests and told her to get as much sleep as possible. He bought a humidifier for her, something he had eschewed when she wanted to get one for him. He also bought an oximeter to check how much oxygen she was getting into her bloodstream.
         Gayla’s cough got worse as did her fever. This did not worry Silver too much as he had gone through that same stage. When she continued to get worse, vomiting a lot, getting weaker and unable to get out of bed, he called 911 and asked them to send an ambulance. When it came, the EMS guys saw that she was able to speak and had no trouble breathing so they told Silver that he should continue what he had been doing and she should get better in a week or two, but in a week, she was worse. The oximeter indicated that Gayla was not getting enough oxygen in her blood. Her beathing was labored and she was having trouble talking. The worst thing for her husband, though, was the look of fear and desperation in her eyes. He rushed her to Queen’s Hospital, where they put her in the recently designated quarantine area for COVID patients. Because he was her husband and recently had had COVID he was allowed to be there with her.
         He stayed with her every day, every hour. He spent many of those hours crying as he talked to her, to reassure her that she would get better soon. Sadly, she gave no sign of recognition as he tried to make sure she was comfortable and her IV was flowing steadily. He tried to hold her in his arms, something he could not do easily in the hospital bed. Both his and her parents came by to try to get Silver to get some sleep, but he told them he was fine. They were sometimes able to keep watch over Gayla as he ate food or took short naps. It was painful for all of them to see her lying deathly ill.
         She died ten days after she was admitted. It was June 30. Silver’s cry when he saw his dear wife was gone was so loud it could be heard throughout the hospital wing. On July 2, at the request of her husband and family, Gayla was cremated. From the moment of her passing through the entire day of the funeral, Silver could not weep, could not speak and could not eat. At the service, he sat catatonically, occasionally looking around as though searching for someone. His parents understood, but nothing they could say to him was of any succor to him. His sisters and their families stayed for a few days after the service, but did not even try to console him after seeing how his parents had failed.
         Denise and George took their son home with them and the next day Silver finally ate something, but it was only a bowl of ramen, something Gayla never ate. A week later he was still there, eating little and not going to work. He was losing weight at a troubling pace. George called his department and let them know that his son was not likely to be coming to his office any time soon. Silver refused to go back to the home where he and Gayla had so briefly lived. On July 9, he began his crying and it seemed as though there was not enough water in the world for all his tears. He wanted to embrace his grief. He cried for two full days instead of eating or sleeping. His father wanted to take him to his minister for grief counseling, but he refused even that, but did start to eat again after he saw how his mother reacted to his shrinking frame.
         He managed to get back to his house in August, but that started a whole new wave of grief once he saw the furniture, clothes and decorations that Gayla had graced their home with. Asking his parents if he could stay with the indefinitely, he told them he could never live in the condominium that had once been so vibrant with Gayla’s presence. His father asked him if it was all right if they sold it. Silver was reluctant since he thought of it as a monument to his marriage. As good as he was with math he was bad with money, George brought out his calculator and showed his son how long he could afford to pay the mortgage on only his salary. It was only another four months. Gayla had not had life insurance. Silver had to agree to put the unit up for sale and he never set foot in it again. His father had to find a realtor and manage the sale of the condo. After paying off the mortgage, Silver had enough money to rent a storage unit for all of the furniture, which his parents eventually sold.
         It would not be very long before Silver realized that he needed to find a place of his own after all those years with his parents. It was something that Gayla would have been able to handle. Now he’d need to rely on his father. For the meantime, school would be starting soon and he always had his mathematics to keep him company. On the first day of classes, as he walked to his office, the coeds all stared at him, but he took no notice of them.

Thursday, June 26, 2014

Introduction

The Twentieth Century Hit Songs and Who Wrote Them

Introduction

These lists are of all of the hit songs written in the twentieth century in America, when American music swelled in popularity not just in the U.S. but around the world.  For each song, the composer of the melody and the writer of the lyrics is given along with other information as described in the key below. I am sorry, but this site does not have any way to link between categories to find, for example, all songs written by Joni Mitchell. 

How songs were chosen

What was deemed “popular or significant" was based primarily on Billboard’s Hot 100 List. Any song that attained a rank of 20 or higher was automatically included on the list. Other songs were included on the basis of lists from the Rock and Roll Hall of Fame, Rolling Stone’s list of the 500 greatest Rock songs, and lists showing the number of artists who had recorded any one song.

Some songs are so well known or sung by so many different artists that no single musician or group can be credited. In those cases the given indication is: (standard). For songs adapted by a 20th century songwriter but whose words or music were written prior to the 20th century and there is no known writer, the term “traditional” (Trad) is used or if the melody was adapted from an earlier composition, the composer is credited, e.g., (Bach).


KEY


All songs listed are considered popular or musically significant American pieces written during the period from 1901-2000. Songs are listed alphabetically by title. 

For songs written before 1955, the date the song was written is indicated, if known. After the song's title, the lyricist is then identified with an (L) or, if the lyricist also composed the music (L & C). If there is a separate composer he or she is indicated with a (C) following the lyricist. In a few cases where the music was taken or adapted from a classical composer, such as Beethoven, that composer's name is listed in parentheses. In those cases, the other composer listed, if any, adapted the song.

The last entry gives the most well known or representative artist (A) who recorded the song. In cases where one person was lyricist, composer and artist, this is shown by (L, C & A), but if he is she is known by a stage name as the artist, the artist is listed separately by the stage name. If the stage name differs significantly from the real name (e.g. J. P. Richardson is the Big Bopper), then a < appears. An (O) after the recording artist’s name indicates that the artist was a band-leader conducting a band or orchestra. In a few cases, where there is no artist identified with the song, it is so noted or noted as a "traditional standard."

For songs written for the movies, musical theater or television, the media source of the song is listed in italics followed by (f) for film [with an * If the song won an Oscar], (s) for staged performance, (r) for radio and (t) for television, unless there were multiple media in which case there is no designation. If an artist had a hit song from one of these media, then it is only credited to the artist where the artist is strongly identified with the song.

Instrumentals (with no lyricist) are indicated with an (I). In those cases, the composer is not indicated since the person listed must be the composer. Only songs written in or translated into English are listed. In cases where the song is originally in a foreign language, the translator is noted with an (E). If known, the original lyricist is also listed.

Sources and credits

All credits are based on secondary sources, so no claims are made regarding the accuracy of this list. In some cases, different songwriters are given credit for the same song. Where this has been impossible to resolve, all are given credit. In a few cases, a writer will be listed as the result of a lawsuit. There may be cases where the wrong songwriter is listed or the name is misspelled. No attempt is made to list the artists in order of their degree of involvement in writing the song except in the case of Paul McCartney and John Lennon. Legally, all Beatles songs were written by “Lennon & McCartney” but if there is some evidence* that some of the songs were written primarily or entirely by McCartney, his name is listed first.

The following web-sites were of special value to me in compiling this list:

allmusic: http://wc09.allmusic.com/
Rhapsody: http://www.rhapsody.com/home.html
Wikipedia: http://en.wikipedia.org/wiki/Main_Page
The Preterhuman Network: http://preterhuman.net/texts/lyrics_and_music_related/
The Rock and Roll Hall of Fame: http://www.rockhall.com/exhibithighlights/500-songs-by-name-ac/
Rolling Stone: http://www.rollingstone.com/news/coverstory/500songs


Printed Reference Books consulted were:
American Popular Songs, by David Ewen, New York, 1966.
The Billboard's Book of #1 Hits, by Fred Bronson, New York, 1985
The Billboard's Book of Top 40 Hits, 6th Edition, by Joel Whitburn, New York, 1996.
Billboard Hottest 100 Hits, 4th Edition, by Fred Bronson, New York, 2007
The American Song Book, by Ken Bloom, Black Dog & Leventhal Publishers, New York, 2005.

Also
* Lennon, John, Playboy Interview, January 1981

A Note on Names and Aliases

Both the songwriter’s first and last name is used whenever available. Where the writer’s name is well known by the middle name or middle,  the middle name or initial is included. In cases where the artist wrote the song, the artist’s stage name is used even thought the real name is used in identifying the songwriter. In such cases, the < shows that this is the case. As far as possible, a songwriter’s real or birth name was used unless the person had become so well known by their alias that it would create some confusion. Thus Robert Zimmerman is always referred to as Bob Dylan, whereas Madonna Ritchie goes by that name instead of Madonna

Other Notes
In the case of instrumentals recorded when there were lyrics for the song, credit is given to both composer and lyricist, but the symbol (I) is not used. In these cases, the artist for the most well-known version of the song is listed even if the version was instrumental. As much as possible, songs with exactly the same title are listed in order of when they were written.

Wednesday, June 25, 2014

Song Titles Starting with Numerals

Any songs with plain numerals in their title are listed here as numbers instead of being spelled out.
See Introduction for key to symbols

1-2-3, (L & C) John Medora, David White, Len Barry, (A) Len Barry
1-2-3, (L & C) Enrique Garcia, Gloria Estefan, (A) Gloria Estefan
1,2,3, Red Light, (L & C) Sal & Bobbi Trimachi, (A) The 1910 Fruitgum Company
1,2,3,4 (sumpin' New), (L & C) Adrian Sear, Artis Ivey, Jr., (A) <Coolio
1st of the Month, (L & C) Anthony Henderson, Byron McCane, II, Charles Scruggs, Steven Howse, (A) Bone-Thugs-N-Harmony
2 Legit 2 Quit, (L & C) Stanley Burrell, (A) < M. C. Hammer
3:00 A. M. Eternal, (L & C) Jimmy Cauty, Ricardo Lyte, Bill Drummond, (A) The KLF
5-10-15-20 (25-30 Years of Love), (L & C) Tony Boyd, Archie Powell, (A) The Presidents
#9 Dream, (L, C & A) John Lennon
11th Hour Melody, (L) Carl Sigman, (C) King Palmer, (A) Al Hibbler
12:30 (Young Girls Are Coming to the Canyon), (L & C) John Phillips, (A) The Mamas & the Papas
13, (L & C) Chris Bell, Alex Chilton, (A) Big Star
16 Candles, (L & C) Luther Dixon, Allyson Khent, (A) The Crests
16 Reasons, (L &C) Bill & Doree Post, (A) Connie Stevens
16 Tons (‘47), (L & C) Merle Travis, (A) Tennessee Ernie Ford
17, (L & C) John Young, Chuck Gorman, Boyd Bennett, (A) Boyd Bennett & His Rockets
18 and Life, (L & C) Rachel Bolan, Dave Sabo, (A) Skid Row
18 with a Bullet, (L, C & A) Pete Wingfield
18 Yellow Roses, (L, C & A) Bobby Darin
19, (L & C) William Couterie, Jonas McCord, Paul Hardcastle, (A) Paul Hardcastle
19th Nervous Breakdown, (L) Mick Jagger, (C) Keith Richards, (A) The Rolling Stones
20 Miles, (L) David Appell, (C) Barry Mann, (A) Chubby Checker
24 Hours from Tulsa, (L)Hal David, (C) Burt Bacharach, (A) Gene Pitney
25 Miles, (L & C) Johnny Bristol, Harvey Fuqua, Edwin Starr, (A) Edwin Starr
25 or 6 to 4, (L & C) Robert Lamm, (A) Chicago
26 Miles (Santa Catalina), (L & C) Bruce Belland, Glen Larson, (A) The Four Preps
40 Miles of Bad Road, (I) Al Casey, Duane Eddy, (A) Duane Eddy
42nd Street (’33), (L) Al Dubin, (C) Harry Warren (M) 42nd Street (s)
50 Ways to Leave Your Lover, (L & C) Paul Simon, (A) Paul Simon
59th Street Bridge Song, The (Feelin’ Groovy), (L & C) Paul Simon, (A) Simon & Garfunkle
60 Years on, (L) Bernie Taupin, (C) Elton John, (A) Elton John
’65 Love Affair, (L & C) Paul Davis, (A) Paul Davis
70’s Love Groove, (L, C & A) Janet Jackson
77 Sunset Strip, (I) Mack David, Jerry Livingston (M) 77 Sunset Strip (t)
96 Tears, (L & C) Rudy Martinez, (A) ? & the Mysterians
98.6, (L) Tony Powers, (C) George Fischoff, (A) Keith
99 Miles from L. A. (L) Hal David, (C) Albert Hammond, (A) Art Garfunkle
99 Ways, (L & C) Charlie Gracie, (A) Tab Hunter
99 Years (Dead or Alive), (L) Sid Wayne, (C) John Brooks, (A) Guy Mitchell
100% Pure Love, (L, C & A) Crystal Waters
500 Miles Away from Home, (L, C & A) Bobby Bare
634-5789 (Soulsville, U. S. A.), (L & C) Steve Cropper, Eddie Floyd, (A) Wilson Pickett
808, (L & C) Robert S. Kelly, Natina Reed, (A) Blaque
867-5309/Jenny, (L & C) Alex Call, Jim Keller, (A) Tommy Tutone
1979, (L & C) William Corgan, (A) The Smashing Pumpkins

1999, (L & C) Prince Rogers Nelson, (A) Prince

Tuesday, June 24, 2014

Song Titles Starting with A

See Introduction for key to symbols

A Hubba Hubba Hubba (’45), (L) Harold Adamson, (C) Jimmy McHugh, (A) Perry Como
A Tisket, A Tasket (’38), (L & C) Al Feldman, Ella Fitzgerald, (A) Ella Fitzgerald
A-B-C, (L) Fonce Mizell; Deke Richards; Berry Gordy, Jr., (C) Freddie Perren, (A) The Jackson Five
‘A’ - You’re Adorable (‘48), (L) Fred Wise, (C) Buddy Kaye, Sidney Lippman, (A) Perry Como
Aaron's party (Come get It), (L & C) Brian Kierulf, Josh Schwartz, (A) Aaron Carter
Aba Daba Honeymoon, The (’14), (L & C) Arthur Fields, Walter Donaldson, (A) Debbie Reynolds & Carleton Carpenter
Abdul Abulbul Ameer (’28), (L & C) Frank Crumit, (A) (standard)
Abie’s Irish Rose (’46), (L & C) Robert Wells, Mel Torme, (A) Mel Torme
Abigail Beecher, (L & C) Robert Boulanger, Richard Heard, (A) Freddy Cannon
Abilene, (L & C) John D. Loudermilk, Lester Brown, Bob Gibson, Albert Stanton, (A) George Hamilton, IV
About a Girl, (L & C) Kurt Cobain, (A) Nirvana
About a Quarter to Nine (’33), (L) Al Dubin, (C) Harry Warren, (A) Al Jolson
Abracadabra, (L & C) Steve Miller, (A) Steve Miller Blues Band
Abraham, Martin and John, (L & C) Dick Holler, (A) Dion
Ac-cent-tchu-ate the Positive (‘44), (L) Johnny Mercer, (C) Harold Arlen, (A) Johnny Mercer (O)
Acapulco, 1922, (L & C) Herb Alpert, (A) Herb Alpert & the Tijuana Brass
Accidents Will Happen, (L, C & A) Elvis Costello
Achy Breaky Heart, (L & C) Don von Tress, (A) Billy Ray Cyrus
Across the River, (L & C) Bruce & John Hornsby, (A) Bruce Hornsby & the Range
Action, (L & C) Brian Connolly, Steve Priest, Andy Scott, Mick Tucker, (A) Sweet
Action, (L & C) Tommy Boyce, Steve Venet, (A) Freddy Cannon
Addams Groove, (L & C) Felton C. Pilate, II; Stanley Burrell, (A) < M. C. Hammer
Addicted to Love, (L & C) Robert Palmer, (A) Robert Palmer
Adelaide’s Lament (’50), (L & C) Frank Loesser, (M) Guys and Dolls
Adios (‘31), (L) Eddie Wood, (C) Enric Madriguera, (A) Mel Torme
Adore, (L & C) Prince Rogers Nelson, (A) Prince
Adult Education, (L & C) Daryl Hall, John Oates, (A) Hall & Oates
Affair of the Heart, (L & C) Rick Springthorpe, (A) < Rick Springfield
Affair to Remember, An, (L) Leo McCarey, Harold Adamson, (C) Harry Warren, (A) Vic Damone
Afraid to Fall in Love (‘47), (L) Ralph Blaine, (C) Harry Warren, (M) Summer Holiday (f)
Africa, (L & C) David Paich, Jeff Porcaro, (A) Toto
After All, (L & C) Peter Cetera, Tom Leonard, (A) Peter Cetera & Cher
After Midnight, (L & C) J. J. Cale, (A) Eric Clapton
After Sundown, (’33), (L) Arthur Freed, (C) Nacio Herb Brown, (A) Bing Crosby
After the Fall, (L & C) Jonathan Cain, Steve Perry, (A) Journey
After the Goldrush, (L & C) Neil Young, (A) Prelude
After the Lights Go Down Low, (L & C) Leroy Lovett, Alan White, Leroy Lovett, (A) Al Hibbler
After the Love Has Gone, (L & C) Bill Champlin, David Foster, Jay Graydon, (A) Earth, Wind & Fire
After the Lovin’, (L & C) Richie Adams, Alan Bernstein, (A) Engelbert Humperdinck
After the Rain, (L & C) Marc Tanner, Rick Wilson, Mathew & Gunnar Nelson, (A) Nelson
After We Make Love, (L) Gerry Goffin, (C) Michael Masser, (A) Whitney Houston
After You’ve Gone (‘18), (L) Henry Creamer, (C) Turner Layton, (A) The Three Suns
Afternoon Delight, (L & C) Bill Danoff, (A) The Starland Vocal Band
Again (’48), (L) Dorcas Cochran, (C) Lionel Newman, (A) Gordon Jenkins (O)
Again, (L & C) James Harris, III; Terry Lewis; Janet Jackson, (A) Janet Jackson
Against All Odds (Take a Look at Me Now), (L, C & A) Phil Collins
Against the Wind, (L, C & A) Bob Seger
Agent Double-O-Soul, (L & C) Bill Sharpley, Edwin Starr, (A) Bob Seger
Ah! Sweet Mystery of Life (‘10), (L) Rida Johnson Young, (C) Victor Herbert, (A) Nelson Eddy & Jeannette McDonald
Ahab the Arab, (L, C & A) Ray Stevens
Ain’t Even Done with the Night, (L, C & A) John Cougar Mellencamp,
Ain’t Gonna Bump No More (with No Big Fat Woman), (L & C) Buddy Killen, Bonnie Lee McGinty, (A) Joe Tex
Ain’t Gonna Kiss Ya, (L & C) James Smith, A) Suzie Clark
Ain’t Got No Home, (L, C & A) Clarence Henry
Ain’t It Funky Now, (L, C & A) James Brown
Ain’t Love a Bitch, (L & C) Gary Grainger, Rod Stewart, (A) Rod Stewart,
Ain’t Misbehavin’ (‘29), (L) Andy Razaf, (C) Harry Brooks, Thomas Waller, (A) Fats Waller
Ain’t No Mountain High Enough, (L) Nickolas Ashford, (C) Valerie Simpson, (A) Marvin Gaye & Tammi Terrell
Ain’t No Stopping Us Now, (L & C) Gene McFadden, John Whitehead, Tariq Trotter, (A) McFadden & Whitehead
Ain’t No Sunshine, (L, C & A) Bill Withers
Ain’t No Way to Treat a Lady, (L & C) Harriet Schock, (A) Helen Reddy
Ain’t No Way, (L & C) Carolyn Franklin, Aretha Franklin, (A) Aretha Franklin
Ain’t No Woman (Like the One I’ve Got), (L & C) Dennis Lambert, Brian Potter, (A) The Four Tops
Ain’t Nobody, (L & C) Hawk Wolinksi, (A) Rufus w/ Chaka Khan
Ain’t Nothing Like the Real Thing, (L & C) Nikolas Ashford, Valerie Simpson, (A) Marvin Gaye & Tammi Terrell
Ain’t She Sweet (‘27), (L) Jack Yellen, (C) Milton Ager, (A) Sammy Kaye
Ain’t That Just Like a Woman? (‘46), (L & C) Fleecie Moore, Claude Demetrius, (A) Frankie Laine
Ain’t That Love, (L, C & A) Ray Charles
Ain’t That Lovin’ You Baby (‘55), (L & C) Jimmy Reed, (A) Elvis Presley
Ain’t That Peculiar, (L & C) William Robinson, Marvin Tarplin, Ronald White, (A) Marvin Gaye
Ain’t That a Kick in the Head, (L) Sammy Cahn, (C) Jimmy Van Heusen, (M) Ocean’s 11 (f)
Ain’t That a Shame (‘55), (L & C) Dave Bartholomew, Antoine Domino, (A) Fats Domino
Ain’t Too Proud to Beg, (L) Eddie Holland, (C) Norman Whitfield, (A) The Temptations
Ain’t Understanding Mellow, (L & C) Homer Alexander Talbert, III, (A) Jerry Butler
Ain’t We Got Fun? (‘21), (L) Raymond B. Egan, Gus Kahn, (C) Richard A. Whiting, (A) Bob Hope
Air Force Song, The (‘39), (I) Robert Crawford, (A) Official U. S. Air Force song
Air That I Breathe, (L) Mike Hazlewood, (C) Albert Hammond, (A) The Hollies
Al Di La, (L & C) Labati Donida, Ervin Drake, Giulio Rapetti, (A) Emilio Pericoli
Alabama, (L, C & A) Neil Young
Alabama Jubilee (‘15), (L) Jack Yellen, (C) George L. Cobb, (A) Ferko String Band
Alabamy Bound (’25), (L) Bud de Sylva, Bud Green, (C) Ray Henderson, (A) Al Jolson
Albatross, (L & C) Peter Green, (A) Fleetwood Mac
Alexander, Don’t You Love Your Baby No More? (’04), (L) Andrew Sterling, (C) Harry von Tilzer, (standard)
Alexander’s Ragtime Band (’11), (L & C) Irving Berlin, (A) Al Jolson
Alfie, (L) Hal David, (C) Burt Bacharach, (A) Dionne Warwick
Alice Blue Gown (‘19), (L) Joseph McCarthy, (C) Harry Tierney, (M) Irene (s)
Alice in Wonderland, (L) Howard Greenfield, (C) Neil Sedaka, (A) Neil Sedaka
Alice’s Restaurant Massacree, (L, C & A) Arlo Guthrie
Alison, (L, C & A) Elvis Costello
Alive Again, (L & C) James Pankow, (A) Chicago
Alive and Kicking, (L & C) James Kerr, Charles Burchill, Michael MacNeil, (A) Simple Minds
All 4 Love, (L & C) Howard Thompson, (A) Color Me Badd
All ‘Er Nothin’ (‘43), (L) Oscar Hammerstein, II, (C) Richard Rodgers, (M) Oklahoma
All Alone (’24), (L & C) Irving Berlin, (A) Frank Sinatra
All Alone Am I, (L) Arthur Altman, (C) Joann Idis, (A) Brenda Lee
All Alone Monday (’26), (L) Bert Kalmar, (C) Harry Ruby, (M) The Ramblers (s)
All Along the Watchtower, (L & C) Bob Dylan, (A) Jimi Hendrix
All American Boy, The, (L & C) Orville Lunsford, Bill Parsons, (A) Bobby Bare
All Apologies, (L & C) Kurt Cobain, (A) Nirvana
All Around the World, (L & C) Noel Gallagher, (A) Oasis
All Around the World, (L) Lisa Stansfield, (C) Michael McCary, (A) Lisa Stanfield
All at Once You Love Her (’55), (L & C) Oscar Hammerstein, II, (A) Perry Como
All by Myself (’21), (L & C) Irving Berlin, (A) Ella Fitzgerald
All by Myself, (L) Eric Carmen, (C) (Rachmaninoff), (A) Eric Carmen
All Cried out, (L & C) Brian, Paul & Lou George, (A) Lisa Lisa & Cult Jam
All Day and All of the Night, (L & C) Ray Davies, (A) The Kinks
All for Love, (L & C) Michael Kamen, Robert J. Lange, Bryan Adams, (A) Rod Stewart, Sting
All God’s Chillun Got Rhythm (‘37), (L) Gus Kahn, (C) Bronislaw Kaper, Walter Jurmann, (A) Judy Garland
All I Do Is Dream of You (‘34), (L) Arthur Freed, (C) Nacio Herb Brown, (M) Sadie McKee (f)
All I Ever Need Is You, (L & C) Jimmy Holiday, Eddie Reeves, (A) Sonny & Cher
All I Have to Do Is Dream, (L & C) Felice & Boudleaux Bryant, (A) The Everly Brothers
All I Have to Give, (L & C) Paul Anthony George; Lucien George, Jr.; Brian George; Gerry Charles; Junior Clark; Curt Bedeau, (A) Backstreet Boys
All I Know, (L & C) Jimmy Webb, (A) Art Garfunkel
All I Need Is a Miracle, (L & C) Mike Rutherford, Christopher Neil, (A) Mike & the Mechanics
All I Need, (L & C) Clif Magness, Glen Ballard, David Pack, (A) Jack Wagner
All I Need, (L & C) Frank Wilson, Eddie Holland, R. Dean Taylor, (A) The Temptations
All I Really Want to Do, (L & C) Bob Dylan, (A) The Byrds
All I See Is You, (L & C) Clive Westlake, Ben Weisman, (A) Dusty Springfield
All I Wanna Do Is Make Love to You, (L & C) Robert J. Lange, (A) Heart
All I Wanna Do, (L & C) David Baerwald, Bill Botrell, Wyb Cooper, Kevin Gilbert, Sheryl Crow, (A) Sheryl Crow
All I Want for Christmas (Is My Two Front Teeth) (‘46), (L & C) Don Gardner, (A) Spike Jones (O)
All I Want, (L & C) Glen Phillips, Todd Nichols, Dean Dinning, Randy Guss, (A) Toad the Wet Sprocket
All I Wanted, (L & C) Steve Morse, Steve Walsh, (A) Kansas
All I’ve Got to Do, (L & C) Paul McCartney, John Lennon, (A) The Beatles
All in My Mind, (L) Fred Johnson, Leroy Kirkland, (C) Maxine Brown, (A) Maxine Brown
All My Life, (L & C) Jojo Hailey, Rory Bennett, (A) K-Ci & Jojo
All My Life, (L & C) Karla Bonoff, (A) Linda Ronstadt & Aaron Neville
All My Love, (You Were Made for), (L & C) Billy Myles, Jackie Wilson, (A) Jackie Wilson
All My Loving, (L & C) Paul McCartney, John Lennon, (A) The Beatles
All My Tomorrows, (L) Sammy Cahn, (C) Jimmy Van Heusen, (A) Frank Sinatra
All Night Long, (L & C) William Griffin, Michael Harper, (A) Joe Walsh
All Night Long, (L, C & A) Lionel Richie
All of a Sudden My Heart Sings (‘44), (L) Jean Marie Blanvillain, Harold Rome (E), (C) Laurent Henri Herpin, (A) Johnnie Johnston
All of Me (‘31), (L) Seymour Simons, (C) Gerald Marks, (A) Louis Armstrong
All of My Life (‘45), (L & C) Irving Berlin, (A) Ella Fitzgerald
All of You (‘54), (L & C) Cole Porter, (A) Ella Fitzgerald
All of You, (L) Cynthia Weil, (C) Julio Igleisas, Tony Renis, (A) Julio Iglesias & Diana Ross
All or Nothing  at All (‘39), (L) Jack Lawrence, (C) Arthur Altman, (A) Frank Sinatra
All or Nothing, (L & C) Kenny Taylor, Fabrice Morvan, (A) Milli Vanilli
All out of Love, (L & C) Clive Davis, Graham Russell, (A) Air Supply
All over Nothing at All (‘22), (L & C) J. Keirn Brennan, Paul Cunningham, (A) James Rule
All over the World, (L & C) Francoise Hardy, (A) The Seekers
All over the World, (L & C) Jeff Lynne, (A) Electric Light Orchestra
All Right Now, (L & C) Andy Fraser, Paul Rodgers, (A) Free
All Right, (L, C & A) Christopher Cross
All She Wants Is, (L & C) John Taylor, Nick Rhodes, Simon Lebon, (A) Duran Duran
All She Wants to Do Is Dance, (L & C) Danny Kortchmar, (A) Don Henley
All Shook up, (L & C) Otis Blackwell, (A) Elvis Presley
All Strung out, (L & C) Nino Tempo, Jerry Riopell, (A) April Stevens & Nino Tempo
All That Meat and No Potatoes (‘41), (L & C) Ed Kirkeby, Thomas Waller, (A) Fats Waller
All That She Wants, (L & C) Jonas Berggren, Ulf Ekberg, Linn Berggen, (A) Ace of Base
All the Love in the World, (L & C) John Spinks, (A) The Outfield
All the Man That I Need, (L) Dean Pitchford, (C) Michael Gore, (A) Whitney Houston
All the Small Things, (L & C) Tom DeLonge, (A) Blink-182
All the Things You Are, (L) Oscar Hammerstein, II, (C) Jerome Kern, (A) Helen Forrest
All the Time, (L) Ray Evans, (C) Jay Livingston, (A) Johnny Mathis
All the Tired Horses, (L, C & A) Bob Dylan
All the Way, (L) Sammy Cahn, (C) Jimmy Van Heusen, (A) Frank Sinatra, The Joker Is Wild (f*)
All the Way from Memphis, (L & C) Ian Hunter, (A) Mott the Hoople
All the Young Dudes, (L & C) David Bowie, (A) Mott the Hoople
All This Love, (L & C) Eldra BeBarge, (A) DeBarge
All This Time, (L & C) Gordon Sumner, (A) Sting
All This Time, (L & C) Tim James, Steven McClintock, (A) Tiffany
All Those Years Ago, (L, C & A) George Harrison
All Through the Day (‘45), (L) Oscar Hammerstein, II, (A) Jerome Kern, (A) Perry Como
All Through the Night (‘34), (L & C) Cole Porter, (A) (standard)
All Through the Night, (L & C) Jules Shear, (A) Cindy Lauper
All You Need Is Love, (L & C) Paul McCartney, John Lennon, (A) The Beatles
All-American Boy, The, (L & C) Orville Lunsford, Bill Parsons, (A) Bobby Bare
Allegheny Moon, (L & C) Al Hoffman, Dick Manning, (A) Patti Page
Allentown Jail, (L & C) Irving Gordon, (A) Jo Stafford
Allentown, (L, C & A) Billy Joel
Alley Cat, (L & C) Bjerre Bent Fabricus, (A) < Bent Fabric
Alley-Oop, (L & C) Dallas Frazier, (A) Hollywood Argyles
Almost Cut My Hair, (L & C) David Crosby, (A) Crosby, Stills, Nash & Young
Almost Doesn’t Count, (L & C) Shelly Peiken, Guy Roche, (A) Brandy
Almost Like Being in Love (‘47), (L) Alan Jay Lerner, (C) Frederick Loewe, (M) Brigadoon
Almost over You, (L & C) Cindy Richardson, Jennifer Kimball, (A) Sheena Easton
Almost Paradise, (I) Norman Petty, (A) Norman Petty Trio
Almost Paradise, (L & C) Ann Wilson, Dean Pitchford, Mike Reno, (M) Footloose (f)
Almost Persuaded, (L & C) Bill Sherrill, Glenn Sutton, (A) David Houston
Aloha Oe (farewell to Thee) (’07), (L & C) Queen Lilioukalani, (A) Alfred Apaka
Alone, (L) Billy Steinberg , (C) Tom Kelly, (A) Heart
Alone (Why Must I Be Alone), (L) Selma Craft, (C) Morton Craft, (A) The Shepherd Sisters
Alone Again, Naturally, (L, C & A) Gilbert O’Sullivan,
Alone at Last (’25), (L) Gus Kahn, (C) Ted Fiorito, (A) Arlene Coleman
Alone at Last, (L & C) John Lehman, (A) Jackie Wilson
Alone Together (’32), (L) Howard Dietz, (C) Arthur Schwartz, (A) Bing Crosby
Along Came Jones, (L) Jerry Leiber, (C) Mike Stoller, (A) The Coasters
Along Comes a Woman, (L & C) Peter Cetera, Mark Goldenberg, (A) Chicago
Along Comes Mary, (L & C) Tandyn Almer, (A) The Association
Along the Navajo Trail (‘45), (L & C) Dick Charles, Eddie De Lange, Larry Markes, (A) Frankie Laine
Along the Santa Fe Trail (‘40), (L) Al Dubin, Edwina Coolidge, (C) Will Grosz, (A) Bing Crosby
Along with Me (‘46), (L & C) Harold Rome, (M) Call Me Mister
Alphabet Street, (L & C) Prince Rogers Nelson, (A) Prince
Already Gone, (L & C) Jack Tempchin, Robb Strandin, (A) The Eagles
Alright, (L & C) James Harris, III; Terry Lewis; Janet Jackson, (A) Janet Jackson
Alright, (L & C) Jermaine Dupri, (A) Kris Kross
Alvin’s Harmonica, (L & C) Ross Bagdasarian, (A) < David Seville
Always (’25), (L & C) Irving Berlin, (A) Vincent Lopez (O)
Always, (L & C) David Lewis, Jonathan Lewis, Wayne Lewis, (A) Atlantic Starr
Always, (L & C) Jon Bongiovi, (A) Bon Jovi
Always, (L & C) Vince Clark, Andy Bell, (A) Erasure
Always and Forever, (L & C) Rod Temperton, (A) Heatwave
Always Be My Baby, (L & C) Jermaine Dupri, Manuel Seal, Jr.; Mariah Carey, (A) Mariah Carey
Always on My Mind, (L & C) Johnny Christopher, Mark James, Wayne Carson Thompson, (A) Willie Nelson
Always Something There to Remind Me, (L) Hal David, (C) Burt Bacharach, (A) Dionne Warwick
Always Together, (L & C) Bobby Miller, (A) The Dells
Am I Asking Too Much, (L & C) Helen Miller, Fay Whitman, (A) Dinah Washington
Am I Blue? (‘29), (L) Grat Clarke, (C) Harry Akst, (A) Ethel Waters
Am I That Easy to Forget? (L & C) Carl Belew, W. S. Stevenson, Shelby Singleton, (A) Englebert Humperdink
Amanda, (L & C) Tom Scholz, (A) Boston
Amapola, (’40), (L) Albert Gamse (E), (C) Joseph Lacalle, (A) Jimmy Dorsey
Amazing, (L & C) Richard Supa, Steven Tyler, (A) Aerosmith
Amen, (L & C) Jerry Goldsmith, (A) The Impressions
America, (L & C) Paul Simon, (A) Simon & Garfunkle
America, (L, C & A) Neil Diamond
America, (L) Stephen Sondheim, (C) Leonard Bernstein, (M) West Side Story
America, I Love You (‘15), (L) Edgar Leslie, (C) Archie Gottler, (standard)
American Beauty Rose (‘50), (L) Hal David, (C) Redd Evans, Arthur Altman, (A) Frank Sinatra
American Dream, (L & C) Rodney Crowell, (A) The Dirt Band
American Girl, (L & C) Tom Petty, (A) Tom Petty & the Heartbreakers
American Heartbeat, (L & C) Jim Peterik, Frankie Sullivan, (A) Survivor
American Music, (L & C) Parker McGee, (A) The Pointer Sisters
American Pie, (L, C & A) Don McLean
American Storm, (L & C) Bob Seger, (A) Bob Seger & the Silver Bullet Band
American Tune, (L, C & A) Paul Simon
American Woman, (L & C) Randy Bachman, Burton Cummings, Garry Peterson, Jim Kale, (A) Guess Who
Among My Souvenirs, (L) Edgar Leslie, (C) Lawrence Wright, (A) Connie Francis
Amor (’44), (L) Ricardo Lopez Mendez, Sunny Skylar (E), (C) Gabriel Ruiz, (A) Ben E. King
Amos Moses, (L, C & A) Jerry Reed,
Anarchy in the U. K., (L & C) Johnny Rotten, Glen Matlock, Steve Jones, Paul Cook, (A) The Sex Pistols
Anchors Aweigh (’06), (L) Alfred Hart Miles, Royal Lovell, (C) Charles A. ZImmerman, (A) (standard)
And Get Away, (L & C) Gilbert Moorer, (A) The Esquires
And Her Tears Flowed Like Wine (‘44), (L) Joe Greene, (C) Charles Lawrence, Stan Kenton, (A) Stan Kenton (O)
And I Am Telling You I’m Not Going, (L & C) Tom Eyen, Henry Krieger, (A) Jennifer Holliday
And I Love Her, (L & C) Paul McCartney, John Lennon, (A) The Beatles
And I Love You So, (L & C) Don McLean, (A) Perry Como
And on and on, (L & C) Terry Lewis, Janet Jackson, (A) Janet Jackson
And One More for the Road, (L) Johnny Mercer, (C) Harold Arlen, (A) Frank Sinatra
And Our Feelings, (L & C) Darryl Simmons, Kenny Edmonds, (A) < Babyface
And Roses and Roses, (L & C) Ray Gilbert, Dorival Caymmi, (A) Andy Williams
And That Reminds Me, (L) Al Stillman, Paul Siegel, (C) Camillo Bargoni, (A) Della Reese
And the Angels Sing (‘38), (L) Johnny Mercer, (C) Ziggy Elman, (A) Benny Goodman (O)
And the Best Goes on, (L & C) William Shelby; Stephen Shockley; Leon F. Sylvers, III, (A) The Whispers
And the Green Grass Grew All Around (’12), (L & C) Harry Von Tilzer, (standard)
And This Is My Beloved (’53), (L & C) Robert Wright, George Forrest, (M) Kismet
And We Danced, (L & C) Eric Bazilian, Rob Hyman, (A) The Hooters
And When I Die, (L & C) Laura Nyro, Jerry Sears, (A) Blood, Sweat & Tears
And Your Bird Can Sing, (L & C) John Lennon, Paul McCartney, (A) The Beatles
Aneurysm, (L & C) Kurt Cobain, (A) Nirvana
Angel, (L & C) Carolyn Franklin, Sonny Saunders, (A) Aretha Franklin
Angel, (L & C) Richard Supa, Steven Tyler, (A) Aerosmith
Angel, (L & C) Steve Bray, Madonna Ritchie, (A) Madonna
Angel, (L, C & A) Jon Secada
Angel Baby, (L & C) Rose Hamlin, (A) Rosie & the Originals
Angel Cake and Wine, (L & C) Nelson Eastman, (A) Glenn Yarbrough
Angel Eyes (‘53), (L) Earl Brent, (C) Matt Dennis, (A) Frank Sinatra
Angel Eyes, (L & C) John Hiatt, Fred Koller, (A) The Jeff Healey Band
Angel in Your Arms, (L & C) Clayton Ivey, Tom Brasfield, Terry Woodford, (A) Hot
Angel of Harlem, (L & C) Paul Hewson; David Evans; Adam Clayton; Larry Mullen, Jr., (A) U2
Angel of the Morning, (L & C) Chip Taylor, (A) Merrilee Rush
Angel on My Shoulder, (L, C & A) Shelby Flint,
Angela Mia (’28), (L) Lew Pollack, (C) Erno Rapee, (M) Street Angel (f)
Angelia, (L, C & A) Richard Marx
Angelina, (L, C & A) Bob Dylan
Angels in the Sky, (L & C) Dick Glasser, (A) The Crew Cuts
Angels Listened in, The, (L & C) Sid Faust, Billie Dawn Smith, (A) The Crests
Angelus, The (’13), (L) Robert B. Smith, (C) Victor Herbert, (A) Jeannette MacDonald & Nelson Eddy
Angie Baby, (L & C) Alan O’Day, (A) Helen Reddy
Angie, (L & C) Mick Jagger, Keith Richards, (A) The Rolling Stones
Angry Young Man, (L, C & A) Billy Joel
Anmall, (L & C) Joe Elliott, Phil Collen, Steve Clark, Rick Savage, Robert J. Lange, (A) Def Leppard
Annie Doesn't Live Here Anymore (’33), (L) Joe Young, Johnny Burke, (C) Harold Spina, (A) Guy Lombardo (O)
Annie’s Song, (L, C & A) John Denver,
Anniversary Song, The (‘46), (L & C) Saul Chaplin, Al Jolson, (A) Al Jolson
Anniversary Waltz (‘41), (L) Al Dubin, (C) Dave Franklin, (A) Vera Lynn
Anniversary, (L & C) Timothy Christian Riley, (A) Tony! Toni! Tone!
Another Brick in the Wall, (L & C) Roger Waters, (A) Pink Floyd
Another Day, (L, C & A) Paul McCartney
Another Day in Paradise, (L, C & A) Phil Collins,
Another Girl, (L & C) Paul McCartney, John Lennon, (A) The Beatles
Another Lover, (L & C) Colin Campsie, Gardner Cole, George McFarlane, (A) Giant Steps
Another Night, (L & C) Olaf Jeglitza, (A) Real McCoy
Another Night, (L) Roy Freeland, (C) Beppe Cantarelli, (A) Aretha Franklin
Another One Bites the Dust, (L & C) John Deacon, (A) Queen
Another Part of Me, (L, C & A) Michael Jackson
Another Sad Love Song, (L & C) Kenny Edmonds, Daryl Simmons, (A) Toni Braxton
Another Saturday Night, (L, C & A) Sam Cooke
Another Sleepless Night, (L & C) Neil Sedaka, (A) Jimmy Clanton
Another Somebody Done Somebody Wrong Song, (Hey Won’t You Play), (L) Larry Butler, (C) Chips Moman, (A) B. J. Thomas
Another Time, (L & C) Curt Boettcher, (A) Sagittarius
Another Time, Another Place (’46), (L) Ray  Evans, (C) Jay Livingston, (A) Patti Page
Answer Me, My Love (‘53), (L) Gerhard Winkler, Carl Sigman (E), (C) Fred Ravich, (A) Nat “King” Cole
Anticipation, (L, C & A) Carly Simon
Any Day Now (My Wild Beautiful Bird), (L) Hal David, Bob Hilliard, (C) Burt Bacharach, (A) Chuck Jackson
Any Moment Now (’45), (L) E. Y. Harburg, (C) Jerome Kern, (A) Deanna Durbin
Any Old Time of the Day, (L) Hal David, (C) Burt Bacharach, (A) Dionne Warwick
Any Place I Hang My Hat Is Home, (L) Johnny Mercer, (C) Harold Arlen, (A) Rosemary Clooney
Any Time (’21), (L & C) Herbert Lawson, (A) Eddie Fisher
Any Time, Any Place, (L & C) James Harris, III; Terry Lewis, Janet Jackson, (A) Janet Jackson
Any Way You Want It, (L & C) Dave Clark, Mike Smith, (A) The Dave Clark Five
Any Way You Want It, (L & C) Steve Perry, Neal Schon, (A) Journey
Anyone Who Had a Heart, (L) Hal David, (C) Burt Bacharach, (A) Dionne Warwick
Anything, (L & C) Brian Alexander Morgan, (A) Sisters with Voices
Anything, (L & C) Titi Joe, Taryll & Tariano Jackson, (A) 3T
Anything for You, (L & C) Gloria Estefan, (A) Miami Sound Machine
Anything Goes (‘34), (L & C) Cole Porter, (A) Ella Fitzgerald
Anything You Can Do (‘46), (L & C) Irving Berlin, (A) The Andrews Sisters
Anytime You Need a Friend, (L & C) Walter Afanasieff, Mariah Carey, (A) Mariah Carey
Anyway You Want Me (That’s How I Will Be), (L & C) Aaron Schroeder, Cliff Owens, (A) Elvis Presley
Anywhere I Wander (‘51), (L & C) Frank Loesser, (A) Julius LaRosa
Anywhere, (L & C) Zane Copeland, Jr.; Daron Jones; Michael Keith; L. Maxwell; Quinnes Parker; Marvin Scandrick; (A) 112 w/ Lil' Z
Apache, (I) Jerry Lordan. (A) Jorgen Inman
Apartment, The (Theme), (I) Charles Williams, (A) Ferrante & Teicher
Ape Call, (L, C & A) Jimmy Drake
Apple Blossom Time (’20), (L) Neville Fleeson, (C) Albert Von Tilzer, (A) Guy Lombardo
Apple Blossom Wedding, An (‘47), (L) Jimmy Kennedy, (C) Nat Simon, (A) Buddy Clark
Apple Honey (‘45), (L, C & A) Woody Herman (O)
Apple, Peaches, Pumpkin Pie, (L & C) Maurice Irby, (A) Jay & the Techniques
April Come She Will, (L & C) Paul Simon, (A) Simon & Garfunkle
April Fools, The, (L) Hal David, (C) Burt Bacharach, (M) April Fools (f)
April in Paris (‘32), (L) E. Y. Harburg, (C) Vernon Duke, (A) Billie Holiday
April in Portugal (‘47), (L) Jose Galhardo, Jimmy Kennedy (E), (C) Raul Ferraro, (A) Les Baxter (O)
April Love, (L) Paul Francis Webster, (C) Sammy Fain, (A) Pat Boone
April Showers (‘21), (L) George De Sylva, (C) Louis Silvers, (A) Al Jolson
Aqualung, (L & C) Ian & Jennie Anderson, (A) Jethro Tull
Aquarius/Let the Sun Shine in, (L) James Rado, Gerome Ragni, (C) Galt McDermot, (A) The Fifth Dimension, Hair
Are We Ourselves? (L & C) Dan K. Brown, Cy Curnin, Peter John Greenall, James Fletcher, West-Oram, Adam Terence Woods, (A) The Fixx
Are You Lonesome Tonight? (‘54), (L) Roy Turk, (C) Lou Handman, (A) Elvis Presley
Are You Man Enough? (L & C) Johnny Pate, (A) The Four Tops
Are You Ready, (L & C) Charlie Allen, John Hill, (A) Pacific Gas & Electric
Are You Really Mine? (L) Al Hoffman, (C) Dick Manning, Mark Markwell, (A) Jimmie Rodgers
Are You Satisfied? (L, C & A) Rusty Draper
Are You Sincere, (L & C) Wayne Walker, (A) Andy Williams
Are You That Somebody? (L & C) Timothy Mosley, Steve Garrett, (A) Aaliyah
Aren’t We All (’29), (L) Bud De Sylva, (C) Ray Henderson, (M) Sunny Side Up (f)
Aren’t You Glad You’re You? (‘45), (L) Johnny Burke, (C) Jimmy Van Heusen, (A) Rosemary Clooney
Aren’t You Kind of Glad We Did? (‘46), (L) Ira Gershwin, (C) George Gershwin, (M) The Shocking Miss Pilgrim (f)
Arizona, (L & C) Kenny Young, (A) Mark Lindsay
Armaggedon It, (L & C) Joe Elliott, Phil Collen, Steve Clark, Rick Savage, Robert J. Lange, (A) Def Leppard
Arms of the One Who Loves You, The, (L & C) Diane Warren, (A) Xscape
Army Air Corp Song, The (’39), (L & C) Robert Crawford, (M) Winged Victory (f)
Arnold Layne, (L & C) Syd Barrett, (A) Pink Floyd
Around the Way Girl, (L & C) Marlon Lu’Ree Williams; Rick James; James Todd Smith, III, (A) < L. L. Cool J
Around the World (’55), (L) Harold Adamson, (C) Victor Young, (A) Victor Young (O), Around the World 80 Days (f)
Arrivederci Roma (‘55), (L) Carl Sigman (E), (C) Renato Ranucci, (A) Georgia Gibbs
Arthur’s Theme (Best That You Can Do), (L & C) Burt Bacharach, Carole Bayer Sager, Peter Allen, Christopher Cross, (A) Christopher Cross, (M) Arthur (f*)
Artificial Flowers, (L) Sheldon Harnick, (C) Jerry Bock, (M) Tenderloin (s)
As I Lay Me Down, (L, C & A) Sophie Hawkins
As If I Didn’t Know, (L & C) Scott David, Larry Kusik, (A) Adam Wade
As Long as He Needs Me, (L & C) Lionel Bart, (M) Oliver
As Long as You Follow, (L & C) Christine McVie, (A) Fleetwood Mac
As Long as You Love Me, (L & C) Max Martin, (A) Backstreet Boys
As Tears Go by, (L & C) Mick Jagger, (A) Marianne Faithfull
As Time Goes by (‘31), (L & C) Herman Hupfeld, (A) Billie Holiday
As Usual, (L & C) Zanetis, (A) Brenda Lee
As We Lay, (L & C) Larry Troutman, (A) Shirley Murdock
Asia Minor (‘51), (I) Jimmy Wisner, (A) Ronnie Aldrich
Ask Me, (L) Fred Wise, (C) Ben Weisman, (A) Elvis Presley
Ask Me, (L) Heino Gaze, Sunny Skylar, (C) Carl Niessen, (A) Nat “King” Cole
Ask of You, (L & C) Ei Rokusuke, Hachida Nakamura, Raphael Saadiq, (A) Raphael Saadiq,
Ask the Angels, (L) Patti Smith, (C) Ivan Kral, (A) Patti Smith
Ask the Stars (‘19), (L) Frank Stammers, (C) Harold Orlob, (standard)
Astronomy Domine, (L & C) Syd Barrett, (A) Pink Floyd
At Last (‘42), (L) Mack Gordon, (C) Harry Warren, (A) Etta James
At Long Last Love (‘38), (L & C) Cole Porter, (A) Lena Horne
At My Front Door (Crazy Little Mama), (L & C) Ewart Abner, John Moore, (A) Pat Boone
At Seventeen, (L, C & A) Janis Ian
At Sundown (’27), (L & C) Walter Donaldson, (A) Jimmy Dorsey (O)
At the Codfish Ball (’36), (L & C) Lew Pollack, (A) Shirley Temple
At the Hop, (L & C) Artie Singer, Johnny Medora, Dave White, (A) Danny & the Juniors
At the Scene, (L & C) Dave Clark, Lenny Davidson, (A) The Dave Clark Five
At the Woodchoppers’ Ball (‘39), (L & C) Joe Bishop, Woody Herman, (A) Woody Herman  (O)
At the Zoo, (L & C) Paul Simon, (A) Simon & Garfunkle
At This Moment, (L & C) Billy Vera, (A) Billy Vera & the Beaters
At Your Best (You Are Love), (L & C) Chris Jasper, Ronald & Ernest Isley, (A) Aaliyah
Atlantic City, (L, C & A) Bruce Springsteen
Atlantis, (L & C) Donovan Leitch, (A) Donovan
Attack, (L & C) Sandy Linzer, Denny Randell, (A) The Toys
Attitude Dancing, (L & C) Jacob Brackman, Carly Simon, (A) Carly Simon
Aubrey, (L & C) David Gates, (A) Bread
Auctioneer, (L & C) Buddy Black, Leroy Van Dyke, (A) Leroy Van Dyke
Authority Song, (L, C & A) John Cougar Mellencamp
Automatic, (L & C) Mark Goldenberg, Brock Walsh, (A) The Pointer Sisters
Autumn in New York (‘34), (L & C) Vernon Duke, (A) Jo Stafford
Autumn Leaves, (L) Jacques Prevert, Johnny Mercer (E), (C) Joseph Kosma, (A) Roger Williams
Autumn of My Life, (L, C & A) Bobby Goldsboro
Autumn Serenade (‘45), (L) Sammy Gallop, (C) Peter De Rose, (A) Mel Torme
Autumn Waltz, The, (L) Bob Hilliard, (C) Cy Coleman, (A) Tony Bennett
Avalon (‘20), (L & C) George De Sylva, Al Jolson, Vincent Rose, Giacomo Puccini (A) Nat “King” Cole
Axel F, (I) Harold Faltermeyer, (M) Beverly Hills Cop (f)
Azure (‘37), (L & C) Edward Ellington, (A) Duke Ellington